Boss MZ-2 Digital Metalizer

Boss MZ-2 Digital Metalizer

The MZ-2 is a strange pedal, and I'm not quite sure who it was aimed at when it was conceived. For a lot of people, the combination of the words 'digital' and 'metalizer' in its name are reason enough to immediately eradicate any interest in it whatsoever.

I'm to blame for all I've heard...

Despite some fairly widespread misconceptions, the MZ-2 is built around an analogue distortion; it's just a standard Boss-sounding distortion - but I don't necessarily see that as a bad thing.

I'm not scared...

There are six modes on the MZ-2; the first ('Single') is just the distortion, the next three are doubling (very short delay) effects of varying lengths - the third of which is essentially a slap-back echo. The final two modes are both designated as being 'Chorus' but sound more like mild flanging to me.

The distortion isn't the most exciting sound, but it's perfectly usable... it begs to be turned up all the way and provides decent sustain without having masses of gain (especially by modern standards). Interestingly - or not! - the MZ-2 actually works really well as an overdrive/boost with a cranked amp... as long as you keep the drive set low so it doesn't get all mushy and indistinct.

There is a little low end loss when you turn the pedal on, which - in a way - can be seen as a good thing; it means the distortion can fit easier in a band/recording/mix setting. The tone control is adequate and is usable throughout its entire range; it doesn't get too harsh even when turned right up, while turning it down yields a smoother overall sound.

All of the digital effects do add a - surprise, surprise - metallic quality to the distortion, especially the first two doubling modes. I also found the MZ-2's digital processing adds some weird artefacts and side-effects to your signal, especially when you bend a string or let a note/chord decay.

I can't wait to meet you there...

Don't be put off by the name, the Digital Metalizer could find a home in many a guitarist's pedal armoury; let's face it, nearly everyone could make use of a good distortion pedal. On top of that you get the extra digital effects - which are good for occasional use - and the provision for running in stereo too.

Lights will guide you home

Lights will guide you home

In early 2010 I acquired a Guyatone Rolly Box phaser - one of the late-70s pedals but sadly, it didn't work; the LED came on and it passed signal in bypass mode, but turn it on and it was completely dead.

Silence isn't always golden.

I had hoped it would be something simple wrong with it - a loose wire, dodgy jack or such-like so I could fix it myself but no... I didn't have a clue what was wrong and it was far beyond my limited electronics/DIY skills to even diagnose the problem.Lights will guide you home I was left with three realistic options:
  1. Throw it away
  2. Sell it on eBay as faulty
  3. Find an expert to fix it for me
After doing a bit of internet searching, I found quite a few seemingly reputable companies offering vintage pedal repair services, so started making enquiries.

Some of them quoted minimum charges of £30-40 per hour for any work, with that being the minimum amount to even LOOK at the pedal!

One company stood out to me - Owen Electronics. Martin Owen - the man who runs the company - responded to my emails in a timely and professional manner, and the overall service being offered seemed worth a shot: he'd diagnose the problem, then let me know what needed to be done and how much it would cost BEFORE* any work was done. [At time of writing] The minimum fee is a mere £10.

* Not all companies work that way; some will repair/service equipment and THEN tell you what it costs.

£10 seemed very reasonable; if I had gone elsewhere, it could have cost £40 and I still may have been left with a dead pedal.

So, the pedal went on a little holiday but returned very quickly and working perfectly... and it only cost £20! (If anyone's interested, some of the parts - ICs etc - had been damaged and needed to be replaced. A few other minor repairs were carried out, all of the PCB and base screws (which were missing) were replaced and I'm positive it was given a thorough clean too - as it came back looking much shinier than it did before.)

So, anyone who has a broken pedal that they don't know how to fix or what to do with - particularly something vintage, or which is potentially quite valuable, you could do far worse than contact Owen Electronics. Your old, broken pedals could possibly be restored to their former glory and it may cost less than you think.

(Martin also produces and sells his own range of effects under the Owen Electronics name as well as offering other services inc. pedal repairs, modifications and cloning.)

DOD FX22 Vibrothang

DOD FX22 Vibrothang
DOD formed way back in 1974 and for many of the years which followed, were probably the biggest challenger to Boss in the guitar effect market.

Whereas Boss could be accused of playing it a bit safe at times [although we shouldn't forget how innovative and inspirational they have been too!], DOD pedals - especially those from the late 1980s and early 90s - tended to be a bit out there and different.

What’s in a name?

The marketing for the Vibrothang described it as a ‘vibrato’ with ‘special phasing circuitry’ which could sound like a ‘rotating speaker’. Hmm, I don’t know about that.

For a start, it’s a tremolo (amplitude modulation) and not a vibrato (pitch modulation) [but maybe we should blame Leo Fender for the confusion there]… and the 'special phasing circuit' doesn’t sound that special; it’s just a fairly subtle phaser… And the rotating speaker part? I'm not sure... Although, there definitely is a sense of movement and wobble with some settings.

As a standalone tremolo (with the phasing turned all the way down), it has good and bad qualities. The main negative being that the effect rolls off some treble, noticeably dulling your signal. I've used some boutique tremolo pedals that purposely filter off some of the top frequencies - the makers usually say this is to produce a warm, vintage sound but, in the case of the Vibrothang, murky and muddy are probably more apt descriptive terms. The tremolo waveform does have a lovely pulsing feel to it though, and the overall tone can be rescued once you bring the phasing controls into play - more about that later.

As a standalone phaser (with the tremolo depth turned down) it’s OK, just a bit ‘ordinary’ and limited. It's a 4-stage phaser I believe, so it’s quite a mild effect but is good to use occasionally for a bit of variation in your sound. To put a positive spin on it though, the Vibrothang’s subtlety (as a phaser) could actually make it more useful in a musical context for more people than a stronger phaser such as an Electro-Harmonix Small Stone - as it doesn’t completely swamp your sound.

DOD 'Parental Advisory' sticker.

The Image control really brings the phasing to life. Through the lower ranges of the Image and Doppler controls there doesn't seem to be a lot happening, but things suddenly get a lot more lively with both the Doppler and Image controls near the top of their ranges. This is where most of the best - more prominent - sounds are hidden away. Here, you will find a plethora of filter, wah-like and vocal effects, as well as a kind of moving, doppler effect; although it's not exactly what was promised by the nice/crazy people at DOD.

A change is as good as a rest

Following its release in 1996, the Vibrothang’s initial sales figures were disappointing for DOD/Digitech. It has been speculated that this was due to consumer confusion caused by the inaccurate and misleading name, and the unusually named controls*. Although, truth be told, the Vibrothang’s controls were far less confusing than those on a number of the other FX Series pedals.

DOD had evidently had a bit of a rethink as, sometime around 1998 a number of the FX Series pedals received a cosmetic facelift - which included having their controls renamed. In the case of the Vibrothang, ‘RPMs’, ‘Drop’ and ‘Intensity’ became ‘Speed’, ‘Depth’ (tremolo depth) and ‘Doppler’ (amount of phasing). The fourth control, ‘Image’ (regeneration of the phasing), retained its name.

Left: Original Vibrothang from 1995. Right: 'transitional' version from c.1997 - with dual-labelled controls.
Main picture (top): Final version (introduced in 1998).

Underwater Love

Using both the tremolo and phasing at the same time is where the Vibrothang comes into its own; the FX22 really is quite unique in the world of guitar effects.

To remedy the overly dark tremolo that this pedal kicks out, you can dial in some very subtle phasing; very careful manipulation of the highly interactive Doppler and Image controls can bring back some of your treble frequencies. There will always be some treble loss, but it does get you back to an almost-standard tremolo sound, but with a dreamy warmth and hint of wobble. At one end of its reaches the Vibrothang can make you sound like you're playing underwater, yet at the other end of the spectrum the phaser section can add plenty of shimmer and emphasis too, getting so wet sounding that you'll almost be reaching for a towel.

* * *

Whereas most people would put a tremolo near the end of their effect chain, it’s not uncommon to put a phaser near the beginning. As the Vibrothang does both of these things, where should it go in the chain?

When used with overdrive, I find putting the Vibrothang last accentuates the tremolo and the filter-like aspects of the sound. Whereas, running the Vibrothang pre-overdrive, the tremolo effect is reduced (as is the volume boost that occurs when the Depth is cranked up) and more of a vibe-y sound emerges.

So, there's not really a hard and fast rule; it all depends on how you're using it, what you're using it with and what you want to achieve.

* * *

Psychedelic box of tricks

I bought my first Vibrothang back in 1996 and, all these years later, I still find things to love about it. It has its flaws, I admit, but it holds a special place in my heart. The anomalous nature of the FX22 is misleading; it is clearly a niche product yet is at home in so many musical situations: from jazz to rock, and from blues to pop.

I wouldn't want it to be my main tremolo or phaser pedal (it isn't especially strong in either field), but the DOD FX22 is a definite case of the whole being greater than the sum of its parts.

The Vibrothang has a unique charm and can do things that I’ve never heard anywhere else: it isn't always right, but when it is right, it's so right.